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Illustrator

Sketches from Devon and Cornwall

Joel and I spent two weeks in the Devon and Cornwall area of England recently. We had excellent weather for plein air sketching. Words can’t describe how inspiring I find the landscape in those parts. Lovely! That’s all I can say. I especially love Dartmoor National Park.

These sketches are available as prints in my Etsy shop.

This is a view of Dittisham, in the south of Devon. We took a tiny “ferry” boat to go over to Greenway from here (Agatha Christie’s summer home). I highly recommend the experience to everyone. It was a beautiful day, ideal for sketching. I was sitting in the churchyard while sketching this.

While in Devon, we stayed in Dartmoor National Park near Dunsford. We sketched this house, name the Olde Court Farm in Dunsford. The owners informed us the house is over 700 years old! That is madness to my Canadian ears. The owners were such lovely people, they served us mint tea (from her garden) and delicious cake while we were sketching! It does not get better than that.

Our AirBnB was across from the Teign River and these old stepping stones (the Old Stables on AirBnB, check it out). We decided to paint them one day. It was very relaxing to wake up to the sounds of running water. You could cross the stones to get to a network of walking paths on the other side.

This was sketched on a drizzly day in Lustleigh, in the Dartmoor Park. I like how much the cottage is leaning (not an exaggeration, I measured). I like what the rain did to the sky and pavement part of the sketch. There is a fantastic tea room next door, The Primrose Tea Room, where I had one of the best afternoon teas of my life.

This is a view from the harbour of Porthoustock in Cornwall. We started drawing this at around 7pm so it was pretty quiet there. Of all my sketches with boats in them, this is the only one that turned out. I’ve since given up drawing boats and put them in the same category as drawing cars, i.e. unpleasant things to draw.

Ah, the Tin Coast in Cornwall. Another great day for sketching. If you’ve watched Poldark like I have (and are mildly obsessed with it) then you will recognize these chimneys. They are all over the coast in this area of Cornwall. This was at the Levant Mine complex, an old tin mine ruin.

 

 

St. Kilda series

When Joel and I travelled to Scotland two years ago, I was very much influenced by the landscape.  While we were visiting Dunvegan Castle on the Isle of Skye (the seat of Clan MacLeod), I saw a tiny little exhibit in the hall with artefacts from the island of St. Kilda. It said St. Kilda was the most remote island in the Outer Hebrides and the people lived there for thousand of years in almost complete isolation, until 1930 when the last residents requested to be evacuated. Evacuated, I thought? I was intrigued, so I picked up a book in the castle’s bookstore called The Island on the Edge of the World: The Story of St. Kilda and it was fascinating.

The small island was such a hostile environment and yet the St. Kildans managed to eke out a living for a thousand years, subsisting mainly on fowling (catching and eating seabirds) and exporting wool products later on. Their culture was primitive, pagan and completely unique until the 19th century, when advances in technology meant that ships could regularly make trips out to the island, bringing mainstream religion and tourism with them. It’s acknowledged in the book that this is what ruined the St. Kildans. The St. Kildans became dependent on tourism and the money it brought (money was a foreign concept to them before then, but rather they bartered and traded) and their traditional way of life started to become obsolete. Knowledge of the wide world resulted in some St. Kildans becoming restless and unsatisfied with their traditional way of life. Finally in 1930, the handful of residents left on the island asked to be evacuated, as it became unsustainable for them to continue living there. The village is now mostly in ruins with a couple of restored buildings and is maintained by the National Trust for Scotland. Joel and I did not have time to go there (it’s quite an ordeal to get there), but one day we will!

There’s so much more I could say about St. Kilda, but I highly recommend reading the aforementioned book. I did a series of illustrations influenced by St. Kilda and the other parts of Scotland I have seen.

Cairn – this illustration is inspired by belief held by St. Kildans that the soul transmigrates and departs the body in the form of an animal; a white moth, in this case.

Cleit Girl – The ruins of “cleits” dot the landscape of St. Kilda and some are believed to be a thousand years old.

The Sluagh – St. Kildans believed in the Spirit Host bird phenomena (known locally as the “Sluagh”). a spirit geese formation accompanied by a west wind that could pick up a man and transport him over long distances.

Hirta – inspired by the women of St. Kilda

The Fowler – inspired by the men of St. Kilda who went “fowling” for birds and the idea of isolation.

Travel Sketches from Holland

Joel and I have spent the last 3 weeks touring the Netherlands sketching, painting and sightseeing. There is a lot to see. The Dutch and Flemish Old Masters are probably some of my favourites in art history. We were fortunate to see famous paintings by Rembrandt, Vermeer and van Gogh, as well as lesser known painters (but equally amazing, in my opinion) Frans Hals, Peter Paul Rubens, Jan Brueghel, Hans Holbein and originals by illustrators Rien Poortvliet (more on this in another post), Jan Voerman Jr. and Anton Pieck. Joel and I are saturated with art history and I can honestly report: it is a good thing.

The weather was fantastic for plein air sketching and so Joel and I did a fair bit of it on this trip. We even painted a straight-up landscape, which is something we normally don’t do. I was very distracted by ducks and geese while sketching on this trip. There are tons of them because of the canals everywhere and they would often come really close and quack at you!

Most of these sketches are available as prints in my shop.

 

 

 

Provence

Here is a little study of a door in Provence, France. The goal here was to create texture without becoming too painterly, therefore using black and sepia inks in addition to watercolour to try and achieve that.

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