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Illustrator

St. Kilda series

When Joel and I travelled to Scotland two years ago, I was very much influenced by the landscape.  While we were visiting Dunvegan Castle on the Isle of Skye (the seat of Clan MacLeod), I saw a tiny little exhibit in the hall with artefacts from the island of St. Kilda. It said St. Kilda was the most remote island in the Outer Hebrides and the people lived there for thousand of years in almost complete isolation, until 1930 when the last residents requested to be evacuated. Evacuated, I thought? I was intrigued, so I picked up a book in the castle’s bookstore called The Island on the Edge of the World: The Story of St. Kilda and it was fascinating.

The small island was such a hostile environment and yet the St. Kildans managed to eke out a living for a thousand years, subsisting mainly on fowling (catching and eating seabirds) and exporting wool products later on. Their culture was primitive, pagan and completely unique until the 19th century, when advances in technology meant that ships could regularly make trips out to the island, bringing mainstream religion and tourism with them. It’s acknowledged in the book that this is what ruined the St. Kildans. The St. Kildans became dependent on tourism and the money it brought (money was a foreign concept to them before then, but rather they bartered and traded) and their traditional way of life started to become obsolete. Knowledge of the wide world resulted in some St. Kildans becoming restless and unsatisfied with their traditional way of life. Finally in 1930, the handful of residents left on the island asked to be evacuated, as it became unsustainable for them to continue living there. The village is now mostly in ruins with a couple of restored buildings and is maintained by the National Trust for Scotland. Joel and I did not have time to go there (it’s quite an ordeal to get there), but one day we will!

There’s so much more I could say about St. Kilda, but I highly recommend reading the aforementioned book. I did a series of illustrations influenced by St. Kilda and the other parts of Scotland I have seen.

Cairn – this illustration is inspired by belief held by St. Kildans that the soul transmigrates and departs the body in the form of an animal; a white moth, in this case.

Cleit Girl – The ruins of “cleits” dot the landscape of St. Kilda and some are believed to be a thousand years old.

The Sluagh – St. Kildans believed in the Spirit Host bird phenomena (known locally as the “Sluagh”). a spirit geese formation accompanied by a west wind that could pick up a man and transport him over long distances.

Hirta – inspired by the women of St. Kilda

The Fowler – inspired by the men of St. Kilda who went “fowling” for birds and the idea of isolation.

Stirling Castle

When Joel and I visited Stirling Castle on our trip to Scotland, I didn’t know what to expect. I knew it was going to be good, but I had no idea of the staggering amount of restoration that has gone into making this castle one of the best (if not the best) in the country.

Not only have the exteriors been restored and meticulously maintained, but the interiors have been completely recreated to represent the decor of the 1500s, complete with knowledgeable costumed staff. Partnering with a vast team of master artisans, everything from the painted walls and ceilings down to the textiles and tapestries have been re-created using techniques of the day. It is a truly impressive thing to see.  This collaboration must have been a massive undertaking, but the end result is spectacular. It’s amazing that they managed to pull it together.

The beauty of a restoration like this is that it really gives you a sense of the history of the place. When Joel and I visited Wales last year, we saw many a castle ruin; none of them were restored. While I’m a fan of ruins, it’s very difficult to image how it would have looked back in the day. Stirling Castle, being restored, gave you a real sense of history and of stepping back in time.

Highlights include the medallion ceiling, the replica tapestries and the “boat” ceiling in the great hall.  I will be inspired by my visit to Stirling Castle for years to come.

Sketches from Scotland

Joel and I recently returned from spending 3 weeks in Scotland. We saw many castles, mazes, big houses, puffins, weird and awesome landscapes, glens, highlands, rode horses, experienced volatile weather and rain. So. Much. Rain. Which is not at all conducive to outdoor sketching! Prior to our departure Joel and I had said we were going to sketch on this trip like it was our job; every other day. But due to rain, generally cold weather and midges (biting insects) we only managed half a dozen sketches! It was difficult to get a two-hour window without any of the aforementioned things to sit down and sketch.

I love how moody the landscape is in Scotland. I took many reference photos which you might see popping up in my work later on this year.

Here’s what we came up with:

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Doune Castle, where Monty Python & the Holy Grail and scenes from Outlander were filmed. A nice example of a restored 13th-century castle.

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Random house, just outside Pitlochrie.

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Urquhart Castle overlooking Loch Ness. I’d say skip this one if you’re not into ruins crawling with tourists. We were told not to sit on the grass here…which did not please me.

 

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Lovely Tudor building in Peebles, in the Borders.

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The kitchen at Glaschoille House, in the Knoydart Peninsula. We were waiting to go back to the mainland after two days on horseback and had an hour to kill. Midges prevented me from sketching outdoors so here is the one and only indoor plein air sketch!